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December 12, 2018

My first visit to Art Basel, Miami

I just returned from Art Basel, Miami and I am still in awe at the amount of art I was able to view and all the gallery owners I was able to meet. Below are some of the highlights from fairs attended. Wynwood wins hands down for great art viewing on the streets. The Rubell Family Collection is always a must visit.


JKS Event - SoBe
Soiree at Nautilus, Miami

October 18, 2018

Fight in Flight!

Taken at the Brooklyn Botanical Gardens, fighting over a kill.

October 13, 2018

Brutish Society

This series is based on my love of abstraction and the need to express my own reality. I am often mesmerized by the angles and protrusions that have become part of modern architectural design. For over forty years I have been an inhabitant of NYC. I never tire of the views I happen upon during my many lunch time walks. The ever evolving landscape keeps my eyes staring upward, like a seasoned tourist, I am constantly drawn to something new. Huge windows allowing the observer to be the voyeur. As if life is only relevant if it can be seen. 

The mystery of glass, the transparency of lives, perhaps the next step beyond social media.

The Garment District Alliance presents: Art Elevated, NYC.

So this happened in Oct. 2018! Two of my artworks were chosen to be on display in the garment district. Such a great honor to be chosen to show my work on the streets of NYC. Special thanks to the sponsor, Orangenius. Giving artists an opportunity to show their work is such an important part of the process of art making.

Artists at the unveiling.

August 05, 2018

Brutalist Reality, 2016 - 2018

Brutalist Reality, 2016 - 2018

These works are inspired by the cold starkness of Brutalist architecture from the 50's - 70's. Intrigued by the human nature of wanting/needing to be seen and craving homes with large windows to peer into, I have created a series of empty, cold cement and glass buildings. These buildings represent an exposed emptiness, in an age of lies and information misrepresentations. The introduction of color serves as a reminder that we still have control over our future, and the hope we need to nurture.
2016 - 2018 Acrylic on black gesso, on canvas and wood. Sizes vary. All work for sale.

"B├ęton brut is a smooth architectural surface made out of concrete. Known for its ruggedness and lack of concern to look comfortable or easy. First used in the economically depressed (and World War II-ravaged) communities who sought inexpensive construction and design methods for low-cost housing, shopping centres, and government buildings"

June 05, 2018

Sing for Hope - Piano Parade, 2018

Encounters, Sing for Hope Pianos
In this project one hopes to have numerous encounters. People coming together over their love for music and playful nature. Hopefully it will unite people in a safe and joyful experience.

Callie is a MTA Art & Design for transit commission recipient, her work is on permanent display at 105 Beach Station in the Rockaways. Her love for nature and her respect for our planet are strongly felt in all her work.

It was such a wonderful experience to join the 49 other artists and spend three months creating together. I thank all the volunteers who assisted the artists, piano tuners and who participated in the piano parade on June 4th. Great work! Such a positive experience in a time of great need for music and art in our public schools. Art for all, to create and enjoy.

March 26, 2018

The Waters of Akumal

In the shallow waters of the sea, just off shore, creatures are hidden away. In tide pools, painted waters emerge, and while snorkeling, everything is up for discovery.

For all explorers, the sea is an open book. It is vital for our future survival on this planet we call earth. Long before earth even had a name, from it came all which inhabits land today. Let us take the time to appreciate all that is offers. Protect it from oil spills, plastic waste, and all that does not belong there. Let us all be more aware and appreciate what lessons it has to teach us.

March 18, 2018

Sing for Hope, Piano Painting Time

 Piano painting continues, dots have entered the scene, starting on the back, they will progress to the front and top of the piano soon.

It has come a long way since the early days of sanding and applying gesso. A bit trippy taking apart a piano, to sand and paint. The process of taking of something precious and reconstructing it. I am really enjoying each day I am able to go and sit amongst the other artists, with my headphones on and get totally lost in the creation process.

March 12, 2018

Painting with Water

My recent need for adventure brought me to Akumal, Mexico. A relaxing and easy going place to explore the sea and realize dreams, if only but for a little while. As I watched the water rippling from the incoming tide, I became mesmerized by the paintings appearing. And disappearing. Trilobites hid beneath the surface, and then were exposed. I could have stayed and watched the display of color and light all day.

February 24, 2018

Piano Art, "Sing for Hope" Project

I have begun painting my piano for Sing for Hope. I have three months to make it the most fun piano ever to play! Then it gets tuned and placed in a public park in NYC. That happens in June, then it is donated to a school in need.

These are the original plans sent, which won my acceptance into the program.

 The back.

And here is the start, after sanding and priming.

February 17, 2018

Questions to an artist...

In an attempt to de-mystify my art process, I have listed a few common questions and responses.

How long does it take you to make your art?

For me, it can take anywhere from two days to three years. Sometimes you really need to walk away from a piece for awhile and come back when you are ready to tackle the problem you have created in it. A lot of the time I work on several paintings at once.

Who buys your work?

Mostly friends, at first, or people I talk to about my work, they feel my excitement and energy and want to own a part of it! I also sell work through galleries and stores. I have sold oils and acrylic on paper at ABC Carpet. And a lot at a gallery that has since closed down in the Jersey Shore. It is about people coming into these places and falling in love with the work.

How do you get more visibility?

By having articles written about me, saying yes to people who would like to use my art for dvd art, or book covers and such. In return, if they can not pay me, I ask for them to give me credit by listing my website as a link from their site. Exposure is key.

What inspires you most?

Nature truly inspires me, the birth, growth and change that occurs. Basically all living creatures, and I have an infinity for sea life.

Who are your greatest contemporary influences?

Kiki Smith, Laurie Anderson and Patti Smith. I want to be as busy and have achieved as much as they have, and keep my sanity and balance.

How long have you been creating art?

I have been creating my entire life. I was always finding ways to make scraps into art as a child. Luckily my parents totally supported my love and encouraged me with classes and supplies to keep me occupied.
When did you start taking art seriously?

I started using oils on canvas when I was in high school, then I dove heavily into photography. I liked to create in the darkroom, to experiment with light. I was a shy student and becoming the photo editor of our yearbook my senior year pushed me to be more visible. I had to become more outgoing and social to get the photos required. It was an interesting position to put myself in, but did help in my getting into college. They rejected my illustration portfolio and accepted me for my photography one. I got back into using other materials when I went for my Masters Degree in Studio Art at NYU.

Where do you get the greatest inspiration from?

My greatest love is for the sea. I am very interested in the creatures that inhabit it.

As a artist living in a city filled with competition, how do you make yourself stand out?

I try to put myself out there, sending my postcards to in hopes of future exposure. I enter a lot of juried shows as a way of being seen.

My Village, 2018

I live in NYC, which always appears to be in a state of constant flux. I moved here in the early 80's to attend college, and could never leave, the pace is now the rhythm to my heartbeat. The following paintings were created in 2017 - 2018 in response to how I view my city currently. It is a feeling of great anxiety and apprehension, probably a common sentiment felt across our nation at this period of time.